Swedish composer Äril’s latest tracks (”Kollision" and "Instäng") are heavy, industrial-coded looks into a chaotic and hidden emotional world. Using glitchy effects and layers upon layers of unorthodox drum patterns, listeners are drawn into what feels like a computer’s mainframe. It’s dense, complex, and claustrophobic - with the distinct feeling that something has gone horribly wrong. Music deserving of your undivided attention: *Cyberpunk, The Matrix*, or *Ghost in the Shell* come to mind as you dive into Äril’s tense universe. In Safari Riot's words: "Hailing from Stockholm, Sweden, Kevin Breton (Äril) is a Turkish-Mexican composer, producer, remixer, and multi-instrumentalist. He started out writing music in school when he and his friends started a punk band — just a few years later he discovered and fell in love with electronic music. When he's not producing dance records and composing TV or indie game scores, he's outside looking for new sounds to record. The Äril project is about exploring intriguing sounds and using them in a musical context. Whether altering a sound in a way that it’s almost unrecognizable or keeping it as raw and true to the source as possible, Äril's goal is to evoke some kind of feeling to the listener. Instead of relying on notes or rhythm, Äril focuses on using texture to create a feeling. In his latest offerings, "Kollision" (Collision) and "Instäng" (Confined), Äril ventures into uncharted sonic realms, pushing the boundaries of his abstract sound design. Drawing inspiration from psychological concepts like claustrophobia and post-traumatic stress, Äril crafts tactile and meticulously structured compositions that gradually spiral into chaos. With these tracks, he invites listeners on a journey through the intricacies of the mind, exploring the intersection of order and disarray in his signature style."